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After Katrina, pointing fingers

The Loved Ones – Esquire

“Mr. Cobb, how are you doing?” I asked James Cobb, a lawyer in New Orleans, Louisiana.

“It depends on what you mean,” Mr. Cobb answered. “If you mean how am I doing after losing my house and every fucking thing in it, and after being forced to live in a two-bedroom shithole with my wife and two kids and being told how lucky I am to get it, and after being fucked — and I mean absolutely fucked — by my insurance company and by the United States government (and by the way, just so you know, if anybody from New Orleans, Louisiana, tells you that they’re not getting fucked by their insurance company and by the United States government, they’re fucking lying, all right?) . . . if you mean, how am I doing after all that is factored in: Well, I guess the answer is that I’m doing fine. Now, how can I help you?”

Jim Cobb and I had never spoken before. These were the first words he spoke after my initial greeting. I was calling him because he represented — and represents — Sal and Mabel Mangano, the couple who operated St. Rita’s nursing home in St. Bernard Parish, just southeast of New Orleans. They had not evacuated their residents when Hurricane Katrina was making its way to Louisiana — they had not evacuated in the face of what was said to be a mandatory evacuation order — and when the levees failed and St. Bernard was inundated with ten feet of water, thirty-five helpless people died. No: drowned. No: drowned screaming for someone to save them, at least according to the initial press accounts. No: “drowned like rats,” in the words of a prosecutor in the office of Louisiana attorney general Charles Foti, who was charging the Manganos with nearly three dozen counts of negligent homicide. Now they were notorious — icons of abandonment whose mug shots after their arrest personified more than just the prevailing stereotype of unscrupulous nursing-home owners. An entire American city had been left to die, and sixty-five-year-old Sal and sixty-two-year-old Mabel Mangano had somehow become the public faces of a national disgrace.

via Plastic

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